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Individually, these characters are hard to root for They're toxic for each other, but they hold onto the idea of what the relationship could mean even when their actual relationship drives them to the brink of insanity. But they continue to pursue a relationship because he believes he can fix Mickey and she believes she can find safety and comfort in the dullness of Gus. He's too boring for her and she's too "fucked up" for him.
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Not only are they spiteful and jaded people in their own lives, but from the very moment they begin to date, it's apparent to everyone - including themselves - that they are not going to work well together. Mickey is the idealistic wild girl a rebellious, uber intelligent creative that puts an alcoholic spin on the typical manic pixie dream girl trope. He's the nice, awkward, seemingly viceless white guy who keeps getting "screwed over" by the women he dates. It's difficult to feel sympathy for Gus because it's a character we've seen time and time again. Individually, these characters are hard to root for. But the major problem I had with it - which was undoubtedly affected by the pacing - was how two-dimensional, boring and jaded the characters were. I think allowing the audience to develop a relationship with the characters individually, before the characters developed a relationship with each other, was a smart move. Julia: The excruciating crawl was certainly a tightening on the knot of the noose Love wore around its neck the entire time I was watching it, but it wasn't the worst of the series' problems. Watching Mickey and Gus slowly, slowly, slowly come together was not the most exciting task, especially since the moves they made toward establishing their relationship were so boringly familiar.ĭid you take issue with Love's excruciating crawl? Or were you a little fonder of the time it took to set up a relationship that I didn't find all that worth the wait for? That could be fine if the events unfolding were worthy of the in-depth treatment, but they rarely were, especially early on. Each episode crawled to the 30-minute mark and the plot followed such a strict continuity that it felt like Love was running in real time. I'm torn between its baffling sense of pace - or lack thereof - and its bland complacency in most ways. I'm curious: What was the aspect that bothered you the most?Īllegra: That's hard to say, Julia, because I came away with such a strong sense of frustration that it's difficult to weigh which part of Love I found most egregious.
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By the end of the series, though, we had sent each other a bunch of text messages at 3 in the morning complaining about almost everything that happened in the series. This was a show we were both invested in from the time it was announced, as big Gillian Jacobs and Paul Rust fans. We were both more than a little disappointed with how Love turned out. Here are their thoughts on what worked for the series, what didn't work and why it's time for Netflix to change how it releases its shows. Two of Polygon's reporters - and devout television consumers - Allegra Frank and Julia Alexander decided to spend the fair-weathered weekend by staying cooped up inside their houses and watching every episode. Starring Paul Rust and Gillian Jacobs ( Community), the show follows two socially awkward 30-somethings as they navigate their new relationship, personal vices and murky, seemingly non-progressive careers. This past weekend, Netflix released all 10 episodes of Judd Apatow's newest dramedy, Love.